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Within three weeks she was able to make it clear that she wanted me to take her home. “When I arrived in London, I found Dorothy badly shaken and Mother deep in coma, but shortly after, she began to improve. “Mother was not expected to live, and I felt horribly alone, but the warmth and love of the people waiting on those platforms lifted my spirits and gave me hope,” she said. After her mother suffered a stroke, Gish left the MGM Hollywood set to visit her in New York. Gish said that after that experience, her mother’s health declined rapidly. Her hands shook so that she could not hold a cup of tea.”

She suffered from shell shock the same as many soldiers did. My sister and I recovered from the ordeal, being too young to comprehend the horror we had witnessed. “In the ensuing months Mother, Dorothy and I became highly nervous and lost weight. “Mother drove with us to the location each day, passing burned-out homes, scorched fields and destroyed orchards, it was a frightening experience for all of us, and it took its toll,” she added. We shot scenes in complete secrecy and tried to block out the horror around us-exploding shells, men wounded and lying in mud. We were working where even nurses were not allowed to go. “The film was shot in range of long-distance guns, and shells and shrapnel fell close by. Mother, of course, would not let us go without her,” she said. “After seven months in England and France, we came back with 86,000 feet of film, which became five movies including Hearts of the World.

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Shortly after, Gish recalls that Griffith, Dorothy, herself, and a cameraman were invited to shoot a movie to encourage the allies during World War I. Gish quickly became famous after THE BIRTH OF A NATION premiered in 1915. However, in 1913 Gish and her family moved to Hollywood. Total dedication was expected we were driven to perform perfectly, totally-for five dollars a day.” Griffith was satisfied with the scene, or playing the victim of a brutal beating and ending up with welts and bruises. We played every scene, whether it was outdoors in the winter riding river currents on an actual ice floe until Mr. We worked late into the night, sometimes on empty stomachs, and were expected back at the studio before dawn,” she added. “When we started making movies-in New York, before Hollywood became movieland-it was just a job to do while waiting for our next hoped-for role on the stage. As I look back on it, life was a constant challenge. She kept us together, traveled everywhere with us, read the Bible during long train rides to the next town and the next performance, taught us to pray, and to have faith. “She was a delicate woman, small, almost frail, yet a woman of strong courage. “Our father left us when we were young, but Mother supplied the bolstering strength and the affection and warmth of two parents,” she recalled.

Gish said that despite her mother taking on the responsibilities of two parents, she accomplished it through her faith, her prayer, and her love for God’s word. “Our mentor was David Wark Griffith, the genius of early film-making who created the form, meaning and grammar for telling stories on film. Our friends were pioneers of the new medium-Mary Pickford, Anita Loos, Charlie Chaplin-monumental figures who helped shape the history of film,” she reflected in an article from 1982. “Our world was that of the stage, and then later the movies, silent movies. But Gish revealed that the three of them were well acquainted with theater from an early age. Gish recalled the hardship and joy of growing up as a small family-just her mother and her sister Dorothy. For similar stories, click here.Īctress Lillian Gish, whose career spanned over 70 years, was not only an on-screen star but also a woman of quiet but consistent prayer.

Note: This story is part of our Faith in Hollywood series.

How Consistent Prayer and God’s Word Taught Actress Lillian Gish That ‘God’s Power is Boundless’